02 September 2011
The Old Gateway
This is one of the gateposts at the top on the long slope that takes you up to the rocher. The tiny roof has such an appealing shape, don't you think? - and note the plants growing out the old weathered bricks.
01 September 2011
Joana Vasconcelos - Marilyn's Perspective
Outside the exhibition at Pavillion Bosio you'll find Joana Vasconcelos' high heeled shoe inspired by Marilyn Monroe and made entirely of stainless steel saucepans and lids. This enormous shoe rather messes up our idea of perspective, don't you think...
To see how others around the world have interpreted today's theme of 'perspective' please click here to view thumbnails for all participants.
31 August 2011
Joana Vasconcelos 'Fairytale' - Loft
It might be a little difficult to display Joana Vasconcelos' art in your living room.
Here she uses lace, crochet, knitting, plastic and leather to create her bizarre range of strange objects. In the last photo, you see ancient pieces of fabric from Portugal where she now lives and works.
'Vasconcelos' sculptures and installations reflect feminine sexuality, the role of women, and the consumer society.'
This is part of an installation called 'Loft.'
30 August 2011
Joana Vasconcelos 'Fairytale' - Fruitcake
The Monaco Project for the Arts (MPA) summer exhibition is currently on at the Pavillion Bosio on le rocher. Called 'Fairytale' the works are by Joana Vasconcelos, an artist born in Paris in 1971 and now living in Portugal.
Two students from the Ecole Superieure d'Arts Plastiques (Monaco's Art School) worked with the artist for three months to create some of the works.
This one is called fruitcake and absolutely fills one of the rooms.
You can read more about the art of Joana Vasconcelos HERE.
29 August 2011
The Bosio Pavillion
28 August 2011
27 August 2011
26 August 2011
La Turbie - Climbing the Stairs
Ever wondered why the old people live so long in France? Maybe it's the good food and red wine. I think it's all the walking up steep stairs to their homes. Imagine living here and knowing that everything you need has to be lugged up and further up.
It would keep your heart well exercised, wouldn't it?
25 August 2011
La Turbie - Pick up after your Dog!
24 August 2011
23 August 2011
La Turbie - Take a length of rope...
22 August 2011
La Turbie - Sun and Shade
It's incredibly hot in Monaco at the moment. In fact, the French Riviera is under a 'canicule' (heatwave) watch - which means everyone needs to check on any elderly neighbour at least twice a day to make sure they are alright and importantly drinking enough fluids. There is also a speed restriction on the autoroutes which is an attempt to lessen air pollution.
And so let's leave the coast and drive up to La Turbie, slightly cooler and certainly less humid.
21 August 2011
40 Years of Graffiti - Love...
20 August 2011
40 Years of Graffiti
There's an exhibition on the Art of Graffiti (and tags) at the Grimaldi Forum at the moment.
It's a very much an in-your-face exhibition and fascinating. The first graffiti artist to be recognised (1971) was a young Greek called Demetrius from Washington Heights who signed himself Taki 183, after the number of the street where he lived. More tomorrow...
19 August 2011
Parasols
18 August 2011
Bodies
August in Monaco and bodies galore on Larvotto Beach. Reports tell us that both in Monaco and the south of France, we've never seen so many tourists as this year. The main reason seems to be that the French, who would have gone to north Africa - for instance Morocco and Tunisia - are not going because of the current unrest there. Result...no parking places, queues at the markets, crowds everywhere but of course good news for the local economy.
17 August 2011
16 August 2011
Monte Carlo or Bust... (Guest Photographer)
This is what happens when four young Scottish guys, passionate about the 1920s and 1930s lifestyle (the clothes, the music, etc) decide to drive from Glasgow to Monte Carlo in a very old Morris Minor. Their names: Rory, Eddy, Neilson and Andrew. They stopped off in Burgundy and, once they got to the south of France, stayed in the medieval village of Gorbio - (Neilson is the nephew of a friend of mine who lives in Gorbio village - the second photo shows them driving down her track).
They then drove to Monte Carlo - their aim, of course, the Casino. Not difficult, you'd think except they drove right around the square, ignoring the No Entry sign in front of the HĂŽtel de Paris...naughty, naughty. After that, a visit to the Loire Valley and then home to Glasgow.
Today - a guest photographer - these shots were taken by Carla Castañeda who is the beautiful Mexican fiancé of my friend's son. Thankyou, Carla.
15 August 2011
Carnival 'U Sciaratu' - Streamers
14 August 2011
Carnival 'U Sciaratu' - les Guignols or French Punch & Judy
It looks a bit like a Punch and Judy show, doesn't it? (see 3rd photo too) And so it is except Guignol is the main character in this French puppet show which has come to bear his name.
I've cut and pasted the following long explanation for anyone interested in the fascinating history...
'Although often thought of as children's entertainment, Guignol's sharp wit and linguistic verve have always been appreciated by adults as well, as shown by the motto of a prominent Lyon troupe: "Guignol amuses children… and witty adults".
Laurent Mourguet, Guignol's creator, was born into a family of modest silk weavers on March 3, 1769. The certificate of his marriage to Jeanne Esterle in 1788 shows he was unable to read. When hard times fell on the silk trade during the French Revolution, he became a peddler, and in 1797 started to practice dentistry, which in those days was simply the pulling of teeth. The service was free; the money was made from the medicines sold afterward to ease the pain. To attract patients, he started setting up a puppet show in front of his dentist's chair.
His first shows featured Polichinelle, a character borrowed from the Italian commedia dell'arte who in England would become Punch. By 1804 the success was such that he gave up dentistry altogether and became a professional puppeteer, creating his own scenarios drawing on the concerns of his working-class audience and improvising references to the news of the day. He developed characters closer to the daily lives of his Lyon audience, first Gnafron, a wine-loving cobbler, and in 1808 Guignol. Other characters, including Guignol's wife Madelon and the gendarme Flagéolet soon followed, but these are never much more than foils for the two heroes.
Although nominally a silkweaver like much of his original audience, Guignol's profession changes, as does his marital status; he can be in turn valet, peddler, carpenter, shoemaker, or unemployed; at times he is Madelon's husband, at times her smitten beast according to requirements of the scenario. What remain constant are his poverty, but more importantly his good humor and his sense of justice. The use in French of "guignol" as an insult meaning "buffoon" is a curious malapropism, as Guignol is clever, courageous and generous; his inevitable victory is always the triumph of good over evil.
Sixteen of Mourguet's children and grandchildren continued his tradition, and many of the companies performing today can trace their heritage back to him. According to the era, the region, or the performers, Guignol's original caustic satire has often been watered down to simple children's fare, and has even been used to parody grand opera, but his original spirit still survives in his hometown of Lyon, where both traditional and original contemporary performances are an integral part of local culture. In addition to his social satire, Guignol has become an important protector of the local dialect, the parler lyonnais.'
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